And here she is, the singing rage, Miss Patti Page, with her latest hit, Tennessee Waltz…

The year was 1951, and my brother and I were home in bed with chickenpox, the longest week we’d ever spent in our young lives.  To help our mother avoid losing her mind as she coped with our whimpering and complaining, Dad had moved the large, Motorola console radio from the living room to our bedroom.  It was heavy, and I still remember his red face, and the huffing and puffing, that accompanied the move down the long hallway to our room.  It took a while to adjust the antenna, too, to ensure we got proper reception.

With the entertainment that radio provided during those seemingly-endless days in bed—together with toys, comics, children’s books, and board games—my brother and I managed to allow Mom some brief periods of respite.

All that week, we fell asleep at night to broadcasts of The Lone Ranger, Mark Trail, Amos ‘n’ Andy, and The Shadow.  Having that radio in our bedroom was almost enough to make us wish the chickenpox would hang around a while longer.  Almost!

The bedroom was small, with one dormer window, and our twin beds were separated by a table whose top was taken up by a small lamp and two coasters, upon which sat our water glasses.  On the two shelves underneath, one for each of us, our respective playthings were stored…my brother’s haphazardly, mine orderly.

The first time we heard Tennessee Waltz on the radio, my brother immediately piped up, “That’s my favourite song!”, thus preventing me from claiming it.  Not to be undone, however, I quickly claimed Patti Page’s other big hit, Mockin’ Bird Hill, as my property.  Every time either song came on the air, our bedroom would become eerily quiet as we listened avidly, singing along silently in our tousled heads.

When we eventually dared to accompany the singer aloud, neither of us was allowed to sing the other’s song.  Singing along in our heads was permitted, but by mutual consent, our live performances were strictly proscribed.

As if to ensure our claim to our song would not be usurped by a treacherous brother, each of us would reiterate our ownership every time our favourite came on.  “Tennessee Waltz is my song!” my brother would insist, and for good measure one day, he added, “An’ Patti Page is my favourite singer!”

He was in love with this woman we had never seen, and truth be told, so was I.

By some unspoken rule, however, we both understood that the singer herself could not be claimed as one’s own, and so the next time Mockin’ Bird Hill came on, I chirped, “That’s my favourite song, an’ Patti Page is my favourite singer!”  And, while our mother was in the room one day, I added, “She’s prob’ly as pretty as Mom!”

Mom smiled at that.

But my brother immediately protested, “No, she’s not!  Mom is prettier!”

Our mother smiled at that, too.

The chickenpox finally ran their course, of course, and life went back to normal.  But to this day, I can still sing the entire Tennessee Waltz, and all three verses and the chorus of Mockin’ Bird Hill.  I’m probably off-key in a few spots here and there, but it’s seventy-five years ago that I learned them, so that’s not too shabby.

My brother is gone now, as is Patti Page, but whenever I sing those two songs, usually just to myself, out of filial loyalty and respect for those childhood rituals, I always kick off Tennessee Waltz with the preface, “my brother’s favourite song”.  And if he were still here to hear me, he’d probably say, “Damn right!”

And I know he’d settle back and listen politely as I announce, “An’ here’s my favourite song, Mockin’ Bird Hill!” before launching into it. I won’t do that here, of course, but here’s the lady herself to sing it.

We were lucky, my brother and I, to have shared that musical gift of love.