Ciao For Now

A recent prompt from my Florida writers’ group asked us to make up a story about a person whose time is running out. This is my make-believe offering—

In all the years I knew him, I never heard my father use the word goodbye.  Not to anyone, not ever.  At every point of farewell, he’d offer up a substitute or synonym for the word—Pip-pip!  So long!  Good night! Cheerio!  ‘Til next time!  Toodle-oo!  See you later!  Take care!

Occasionally, he’d venture a foreign language—Adieu!  Auf Wiedersehen!  Adios!  Sayonara!  Towards the end of his life, he came to favour Ciao for now!  But he’d never use the word goodbye, and I used to wonder why.

He tried to explain it once to a mildly-curious, teenaged son.  “The word is too permanent, that’s all.  It implies the end, the finish, that there’ll be nothing to follow.  I prefer to think I’ll be meeting the other person again.”  But I confess, I didn’t really see the difference, callow as I was.

Although born and raised in Canada, my father was an Oxonian—a graduate of Oxford University, Balliol College, class of 1932, a member of the rowing club—and among his lecturers were C.S. Lewis and the great J.R.R. Tolkien.  Gainfully employed back in Canada with a PhD in Literature, he was one of the earliest to enlist after Canada went to war in 1939.  He served as a medical orderly until demobbed in 1943, when he returned home in time for my birth.

“Despite our best efforts to save them, we lost a lot of good fellows,” he would reflect from time to time in his later years.  “We knew their time was running out, but I never said goodbye to any of them.  I wanted them to believe there was still more to come.”

Somewhere over there, with his comrades at Oxford or in the obscene battlefields, he learned a nonsensical, British ditty about farewells, not goodbyes, and he used to sing it to me and my siblings from time to time, usually when we balked at having to go to bed.  He was an enthusiastic, if somewhat undisciplined, singer, but we came to love that song.

Eventually, of course, the fateful day arrived, as it does for all of us, that my father’s own time was running out.  Home from hospital for the last time in the deep mid-winter, he was with my mother and their five children and our spouses—the ‘dirty dozen’, as we had long styled ourselves.  We all knew the end was nigh, though none acknowledged it, and small talk prevailed until my father raised a frail hand.  We waited, breath bated, and in a faltering voice between short gasps for breath, he sang that song one final time—his way of letting us know this was not goodbye.

Most of us, I suspect, did not believe that, but no one let on.

A few months later, when the frost had left the ground, we gathered again at the family’s burial plot for my father’s interment, joined this time by his grandchildren, his sister, his nieces and nephews, and a few cousins.  In keeping with his wishes, it was a simple ceremony, and two of us spoke on behalf of the group before his ashes were lowered into the grave by his eldest grandchildren.  And then we all stood around, staring awkwardly at the ground, as if reluctant to leave.

At that point, with an exquisite sense of timing, my younger brother stepped forward and began to sing our father’s farewell nonsense-song, his voice soft but firm.  Before he could finish the first line, all of us who knew it had joined in—a sad farewell, yet a joyous acknowledgment that this was not goodbye.

Pip! Pip! Toot-toot, Godspeed,
Toodle-oo, toodle-oo, toodle-oo,
Ta-ta, old bean, Ting-ting, old thing,
Chuckeroo, Chuckeroo, Chuckeroo!
This parting brings us sorrow,
We hate to say adieu,
So, we’ll say Ting-a-ling, old tin of fruit,
Cheerio, cheerio to you!

Now, within hailing-distance myself of the age at which he died, I think of my father often, and I hear that little ditty echoing in my mind, just as he sang it so many years ago.

Cheerio, Dad,” I murmur each time.  “Ciao for now!”

The Cannabis Murders

I’m excited to announce that The Cannabis Murders, my eleventh novel in the Maggie Keiller/Derek Sloan crime series, will be released early in February!

The riveting story unfolding in this book is set against a backdrop of rising public concern over the extent of covert Chinese interference in political and corporate affairs in Canada, and across North America.

The story itself is tied to the legal production and distribution of cannabis products, as a global producer with Chinese connections attempts to establish a manufacturing facility near the resort town of Port Huntington on Georgian Bay.  In so doing, the company encounters community opposition, and runs up against Indigenous land-claims to the property in question, both of which throw up major stumbling-blocks to its plans.

To everyone’s dismay, repeated vandalism, threatened extortion, violence, and eventually murder soon follow.  Maggie and Derek become caught up in events through her support of a young, Indigenous woman trapped in the turmoil that follows, and through his involvement as a negotiator for the First Nation land-claims.  And both are drawn further into the mayhem because of their connection to the government’s pending inquiry into the secretive operations of Chinese interests in the area.

Resolute as always to protect their community, and themselves, Maggie and Derek work closely with police to bring the evil perpetrators to justice.

I know you will enjoy this story, and I’ll post notice here when the book becomes available.  In the meantime, the ten earlier novels in this series, together with my eight anthologies of tales, can be found for a free preview or purchase at this safe link—https://www.lulu.com/spotlight/precept

Thanks to all of you who read my blog-posts. If you enjoy them, you are sure to love my books!

Brown Paper Bag

This poem was written in response to a prompt from my Florida writers’ group. It can be best enjoyed by reading it to the tune of the old, Irish ballad, ‘Black Velvet Band’.

His hair hung down to his shoulders,
His shirt was a tattered old rag.
Faded chevrons adorned both his worn, torn sleeves,
And his hands clutched a brown paper bag.

Gunny was the name we all called him,
A veteran, ‘though he never did brag.
He'd wander the streets of the neighborhood,
Snatching sips from his brown paper bag.

His only true friend was old Jarhead,
A mongrel with no leash or tag.
When he died, he left Gunny alone again,
Alone with his brown paper bag.

We never saw Gunny get angry,
He was never a scold or a nag.
When we passed him by, he would nod a sad smile,
And drink from his brown paper bag.

In the summers we often would see him,
With the kit-bag that held all his swag,
On a park bench alone in the warm sunshine,
Holding tight to his brown paper bag.

Then last winter with snowstorms a-swirling,
And temperatures starting to sag,
Gunny died forlorn in the homeless camp,
He’d drunk his last brown paper bag.

When they opened his kit, they discovered
A folded American flag,
And a Congressional Medal of Honor,
Sealed tight in a brown paper bag.

When they tried to find Gunny’s family,
Their best efforts all hit a snag.
But they buried him with full honors,
With his Medal from that brown paper bag.

Gunny rests now with his fallen comrades
‘Neath a cross in a field filled with flags.
UNKNOWN BUT TO GOD and those warriors---
Free at last from those brown paper bags.

Semper Fi, Gunny!

A Better Story

Can bad decisions lead to better stories?

Let us suppose for the purpose of crafting an entertaining story that your lead character’s dotty, old Aunt Hilda—whom he hasn’t seen in forty years, and who recently died at the impossibly-old age of 103—left him, her only heir, the sum of twenty-five million dollars, all in bearer-bonds, and twenty-five cats who shared her last abode.

Your protagonist is elated, of course, and only mildly sorry he hadn’t taken time to visit the old gal from time to time.  After placing the cats out for adoption and depositing one million of those dollars in his personal chequing account to cover immediate lifestyle changes, he now needs to decide how to properly invest and grow the remaining twenty-four million.

To whom does he turn for advice?

He could enlist the help of reliable, established bankers, investment counsellors, financial gurus, and market analysts, all of whom would be eager to serve.  He knows he could safely rely upon these learned and experienced people, whose profession it is to help other people make money—being handsomely reimbursed for their efforts, naturally.  Let us call this the elite option.

But if he has never considered himself an elite, he might decide to call on twenty-five of his closest friends who—in return for the chance to celebrate (and perhaps share in) his great, good fortune—tell him they will devise a sure-fire strategy to determine how he will invest the bulk of his new-found wealth.  That strategy, in order to be enacted, need only be approved by a simple, majority vote of 13–12, swayed perhaps by the most voluble, the most persuasive of the group, rather than by the most knowledgeable.  

Let us call this the populist option, and if your protagonist deems himself a man of the people, he might well choose this second course.

Or, let us suppose for the purpose of creating another entertaining story that your lead character has been recently diagnosed with a life-threatening illness, out of the blue, and that she has very little time to decide on the best medical option that might save her life—although there are no guarantees, of course, from any of them.

To whom does she turn for advice?

She could, in addition to talking with her loved ones, consult with her physician and the specialists to whom the physician refers her, all experts in their field.  Before choosing her treatment plan, she might seek second, third, even fourth opinions from people who have studied their entire lives to deal with critical situations such as hers.  Let us call this, again, the elite option.

But let us suppose again, if she does not reckon herself among the elite, she might gather together concerned family members and friends, all of whom love her and wish her only the best, to ask, by majority vote, which treatment plan they believe she should follow—the established medical option, a naturopathic or homeopathic approach, or maybe an experimental route (which might require travel to a foreign country for procedures not approved in her home and native land). 

Let us call this, again, the populist option, and if she fancies herself of the people, she might choose this second course.

In these examples (deliberately simplistic, I know), there are dilemmas confronting these two characters and the decisions they would have to make.  To whom would they turn in such critical situations, the elites or the populists?

The authors of such stories, too, face these same dilemmas, these same decisions.  Which path should they choose for their protagonists to follow in order to compel their readers to stay locked in to the story?  And will those decisions prove good or bad?

In one telling of the first example, the lucky heir to the twenty-five million dollars might turn to the wise counsel of the investment community, prosper as his fortune grows, and live in a cloistered castle to a ripe, old age.  End of story.

But in another telling, he might seek the advice of his friends, invest and lose his entire inheritance based on their advice, realize belatedly the error of his ways, embark on a driven quest to recoup his lost fortune, clash and joust with pillars of the financial community, rise and fall again and again, only to triumph at the end—a true Horatio Alger story.  Or perhaps, in a cruel twist of fate, he might lose it all yet again and die miserably in an abject state of poverty.

Only the author can decide.

In one telling of the second example, the stricken person might rely upon the medical establishment and, after a period of treatment and rehabilitation, survive to live a long and happy life.  End of story.

But in another telling, the person might turn to family and friends for a decision, choose unwisely, see her condition worsen unto the point of death, only to be miraculously saved by the last-minute intervention of a handsome, dedicated doctor who refuses to be rebuffed by quackery.  The patient’s health improves dramatically, she marries her saviour, and goes on to live well into her nineties.  Or perhaps, in a cruel twist of fate, she is assailed by a recurrence of her disease, against which she vies valiantly, time and again, only to succumb in the end—a true Shakespearian tragedy.

Only the author can decide.

In either example, which do you suppose might offer the more entertaining story, the first version or the second?  The authors make their decisions in the initial writing, of course, but in the end, it is the readers who decide if those decisions are good or bad.

So, can bad decisions lead to better stories?

You tell me.

My Whiffenpoof

The weekly prompt from my Florida writers’ group was to write a piece incorporating a song lyric, even a misunderstood one. I chose to use a complete song, but with its meaning and setting skewed from its real attribution for purposes of fiction.

The young lad’s voice was pleasant enough, if a tad off-key here and there, and he held his beer-drinking audience rapt as he began singing the song.

To the tables down at Mory’s, to the place where Louie dwells,
To the dear old Temple Bar we love so well,
Sing the Whiffenpoofs assembled with our glasses raised on high,
And the magic of our singing casts a spell…

“What’s a Whiffenpoof?” old Hardy McKinnon yelled out rudely, slamming his empty glass down on the table in front of him, half-cut already, though the evening was young.  “Sounds like a fart!  One o’ them SBD ones!”

The lad stopped singing, joined in the laughter that followed, then said, “SBD?  What’s SBD?”

“Silent but deadly!” McKinnon’s wife cried, pointing at her husband, beckoning to me for another round as the laughter erupted again.

“Quiet, ye lot!” I shouted from behind the bar where I’d been drawing another tray of drafts.  “Let the boy sing his song!”

Indeed, he did look more a boy than a man, sitting there in his khaki uniform, the cuff of one sleeve pinned to his left shoulder where his arm should have been—the only one to return of five village lads who had marched proudly to the train station two long years ago, off to fight the foe for King and country. 

The polished medal at the end of the ribbon round his neck testified to his gallantry and sacrifice—the Victoria Cross, awarded for valour in the face of the enemy, the highest military award the nation could offer.  It had been presented by none other than King George himself, and I’d been there to witness it.

“Let him sing!” I cried once more into the clamour, and it subsided quickly as Jimmy took up his song again.

Yes, the magic of our singing of the songs we love so well---
‘Shall I Wasting’ and ‘Mavourneen’ and the rest---
We will serenade our Louie while life and voice do last,
Then we’ll pass and be forgotten with the rest…

The eyes of almost everyone were fixed steadily on the lad as he sang, the words and melody casting a solemn pall over the room.  Those who weren’t looking at him were staring emptily into space with that thousand-yard stare I used to see in my Robert’s eyes after he came home from fighting the Boers.  He never spoke of the horrors, nor of the comrades he’d lost, but I knew they’d been with him ‘til the day he died.

I’d held on to the business after he passed, McSorley’s Old Ale House being the only home I had, and the only pub for miles around—a gathering-place as sacred to its patrons in its own way as the Church of England ever could be.

“Aye, Jimmy, sing some more!” Angus MacPherson said softly into the silence.  “Sing the chorus for us, lad!” 

Jimmy drank deeply from the new pint I’d set in front of him, wiped the foam from his mouth with his one hand, and when he started in again, many of the assembled joined in, the words as familiar to them as the faces in their mirrors—

We’re poor little lambs who have lost our way,
Baa, baa, baa!
We’re little black sheep who have gone astray,
Baa, baa, baa!
Gentlemen songsters out on a spree, doomed from here to eternity,
Lord, have mercy on such as we,
Baa, baa, baa!

My tears glistened on the polished, wooden surface of the bar, and I scrubbed them away furiously with my rag.  Most of the old warriors who’d been singing along were weeping, too—silent tears tracking down their grizzled, ruddy cheeks, only to be swallowed up and lost in their scraggly beards, just as their innocent youth had been torn from them by the long-ago battles they had fought for the fading Empire.

In the silence that blanketed the normally-boisterous room, Jimmy stood up, finished his pint, then walked wearily over to the bar, waving shyly to the crowd.  “I’ll be headin’ up now,” he whispered with a sad smile.  “Shout me up when yer closin’, an’ I’ll be back down to help.”

“Shure, an’ I’ll be doin’ that very thing,” I said, knowing full well I would not.  The boy was bone-tired, I could tell, and needing his sleep—if sleep would come.  I watched as he mounted the narrow staircase, his steps heavy, his one hand on the banister, his chin sunk low on his chest.  I couldn’t see his medal, but I know it weighed heavy on him.  He’d have given it back in an instant if it meant the return of his fallen friends.

“He’s a good lad, young Jimmy!” Liam Dewar shouted, his half-empty pint raised high.  “A noble warrior, an’ a damn fine singer!”

“Three cheers for Jimmy!” Molly Malone cried, a bit unsteady on her feet, trying not to show it.   She was sweet on Jimmy, I knew, but trying not to show that, either.  The crowd joined in, as did I—Huzzah!  Huzzah!  Huzzah!

And then another song broke out, this time led by the lovely tenor voice of the vicar, the Reverend Alastair Holmes, and everyone took up the tune—

It’s a long way to Tipperary, it’s a long way to go,
It’s a long way to Tipperary, to the sweetest girl I know…

And I thought about the long way home young Jimmy had taken—the journey from carefree boyhood to the blood-soaked trenches of Europe, and back again—mutilated and scarred, perhaps forever.  And for what?  For three cheers and a piece of tin around his neck?

My tears began anew, but tears of gratitude this time—gratitude that, unlike so many other mothers’ sons, he was home again.

My Whiffenpoof.

My boy.

And Off We Go

The weekly prompt from my Florida writers’ group was to write a piece containing the phrase, “shall we go…”.  This fictitious tale is my response.

“Shall we go?”  The sepulchral voice is solemn, portentous, and it reverberates ominously in my ears.

Not yet…not yet!  I’m not ready.

I hear other voices, too, softer voices…my daughters, named for our favourite flowers so many years ago.  They’re talking quietly over me as I lie in a bed I cannot feel in a hospital room I cannot see, unable to speak or move.

“He can’t open his eyes,” Veronica says, “but I can see them moving behind his eyelids.”

“Yeah, I see that,” Jasmine agrees.  “I think he can hear us.”

“Can you, Dad?” Veronica asks softly.  “Can you hear us?”

Yes, yes, yes!  I’m right here!

“He can’t answer you, Vee,” Jasmine says sorrowfully.

She’s right, I can’t.  Everything was fine until…until…whatever day it was, I can’t remember…and that red wave washed over me, collapsing me on the floor for I don’t know how long.  And now here I am, wherever this is.

“Shall we go?” the voice resounds in my ears again, a honeyed basso-profundo, not at all impatient, yet determined nonetheless.

No, not yet!  It’s too soon.

“Keep stroking his hair, Jazz,” Veronica says.  “He always liked that.”

I did always like it, but I can’t feel a thing now.  I can only imagine how it feels, and the thought warms my heart.  I laugh inwardly, knowing my hair must be all askew.

“I love you, Daddy,” Jasmine whispers.  “I hope you know that.”

“He knows we love him, he knows,” Veronica says, and I imagine she is holding my arthritic hands in hers, gently massaging them, terribly weakened now when once they were so strong.  But I can feel nothing.

I lifted you high in these hands, Vee, high up over my head.  And Jazz, too!  And now…and now…

“Shall we go?”  The voice asks again, persistent though not offensive.

Not yet!  No!

“You don’t have to worry about us, Dad,” Veronica whispers.  “We’ll be fine.”

“She’s right, Daddy,” Jasmine adds.  “You and Mummy were the best, and we’ll be just fine.”

I know, I know…but I don’t want to go.

They’re right, of course, they will be fine, both with their own wee families now.  The little ones were here earlier with their daddies…at least I think they were…maybe not…but I’m sure I heard those four tiny voices telling me they love me.  I wanted to say it back to them, to wrap my arms around them, but…

“And don’t forget, Dad,” Veronica continues, “Mum said she’d be waiting for you to find her, remember?  She’ll be watching for you.”

Ah, their mother, my wife, my lifelong love…how I’ve missed her.  Despite a valiant struggle against the disease that wasted her, she left us a few years ago.  And yet, she never truly left us, you know?  I wonder if Vee is right, if she really will be there, wherever there is…my darling Clementine…

“Shall we go?”  The voice is relentless, insistent, though not unkind.

No, please!  Not yet.

“I’m sure Mummy’s been missing you, Daddy,” Jasmine murmurs, and I can hear the sob catching in her throat.  “You were meant to be together for all time.”

“Exactly!” Veronica says, trying to lighten the mood.  “Like apple pie and cheese!  Like mustard and relish!”  She laughs softly as she gropes for more examples.

Jasmine joins in her sister’s laughter, and my heart dances to the sounds of their lilting voices.  “Yeah, or like Abbott and Costello!” she says.  “Like Jack and Jill!”

“Lady and the Tramp!” Veronica offers, and the laughter grows louder.  “Romeo and Juliet!”

“Omigod!” Jasmine gasps, their laughter rolling freely now.  “Tweedledum and Tweedledee!  Lancelot and Guinevere!  Sweet and sour!”

“Yin and yang,” Veronica says, and they stop on that one, as if it’s the perfect one to describe me and Clemmie.

“Shall we go?” the voice asks again…but it’s a different voice this time.  Frozen inside my immobile body, I cannot move, but I feel as if I’m turning around and there is Clemmie…as young and as fair as the first rose of summer.  She’s standing in the midway at the State Fair, pointing at the Tunnel of Love attraction, the one where we had our first, tentative kiss, where the sense we’d found something special first dawned on us.

“Shall we go?” she asks again, and her eyes are sparkling, her smile warm and welcoming.

“It’s okay, Dad,” Veronica whispers, “it’s okay to go.”

“Goodbye, Daddy,” Jasmine breathes.  “We love you.”

Goodbye, goodbye…I love you both…

And I reach for Clemmie’s hand, and off we go.

On Thinking

The French philosopher, Rene Descartes, is remembered among other things for his thesis: I think, therefore I am.  The notion is most commonly expressed, not in French or English, but in Latin: Cogito, ergo sum.

His premise was not, as is widely believed, that he exists because he can think; rather, it is that he is aware he exists because he is able to think.  That assumption presupposes that so-called lower forms of animal life, being non-sentient as far as we know, exist without knowing they exist.

Descartes appears not to have considered the possibility that some humans may also exist without full awareness, largely because of their demonstrated inability or willingness to think rationally.  But I digress.

In conversation with other folks, I occasionally hear them offer their opinion by beginning with the phrase, So, I think to myself…  I find that phrase redundant, because I can contemplate no other way of thinking; by definition, all thinking is to oneself, is it not?  Unless, as some would have it, a person is thinking out loud, which strikes me as verbalizing, not thinking.  Better, I suggest, to think first, speak second.

But as a counterpoint to that, people might deem praiseworthy the ability some folks have to think on their feet—to offer an opinion, receive feedback, and modify that opinion, all in the course of one conversation.  That facility is admirable, I suppose, but it can happen, of course, only if they’re standing; if they were seated, they would surely be thinking…well, on their tush, right?  And somehow, blowing it out their…you know…doesn’t seem as impressive.

I’ve long thought of thinking as a fluid process, a constant progression, a multi-directional flow, rather than as a static, linear plod from point A to point B.  And if that is so, then a graphic tracing of my thinking pattern would appear, not as a straight line, but as a higgledy-piggledy, zig-zagging line—frequently interrupted and intercepted, but always arcing upward toward higher illumination, I would hope.

As a writer, it’s my thinking that takes me far from my physical surroundings, even to the point of forgetting all about time and place.  As I wrote in haiku verse some time ago—

my thoughts, unbridled,
take me to worlds I ne’er will see,
nor have ever seen

my boundless thoughts are
like hot air balloons, slipping
bonds that tie me down

I wander freely
throughout the universe, yet
never leave my chair

There are two adages on thinking that I try to hold to, at least presently, and they both grace the résumés and bios that appear on my online, social-media sites.  The first is, Certainty is the enemy of an open mind…I think.  And the second is, Don’t believe everything you think.  Regular readers of this blog will know whether or not I’m successful in living up to those.

Certainty plagues many people after they’ve thought a subject through—or even when they have not—and then adopt a position they think is accurate or true, and stubbornly cling to that opinion, come hell or high water.  But I think every opinion we hold should be subject to periodic, critical study, the more frequently the better, in order to test its validity in the face of facts and evidence that can change from time to time.  Being overly-certain about one’s opinion can stifle that sort of examination.

The irony with this adage, however, is that I can’t be certain it’s correct, for to be so would violate its basic premise.  Like every other opinion I hold, it requires my constant scrutiny…at least, I think it does.

The notion of believing everything we think, just because we think it, likewise can lead to cognitive stagnation.  In everyday interactions, our behaviours are governed by what we think we should say or do at any given time, and there’s nothing wrong with that.  Guidelines are preferable to social anarchy.  But if, for example, I believe it’s safe to jaywalk across a busy thoroughfare just because I think it’s safe, and if I persist in that belief, the consequences to me could be catastrophic.  Better, I think, to examine my thinking in the light of facts before committing it to belief-status.

The irony with this second adage is it presents a danger that one will never commit to believing in anything.  I think that, too, could present a problem.

For those who’ve read this far, let me finish with an anecdote about two people engaged in a mild argument over some inconsequential subject.  “So, is that what you really think?” the woman asks, a touch of incredulity tinging her tone.

“I don’t think!  I know!” the man replies smugly. 

With barely a pause, the woman smiles condescendingly and says, “You know what?  I don’t think you know, either.”

And that could well be the case for all of us.  Even when we think we know, even when we are absolutely certain of it, we still might be mistaken.  The wise carpenter’s advice—measure twice, cut once—could easily be adapted and applied to our thinking process: think, rethink, then act.

I’ve done just that in this post…I think.

What say you?

Nature Will Prevail

Many years ago, my wife and I followed after the outgoing tide in the Bay of Fundy, along with our two young daughters, marvelling at the wonders we spied on the surface of the seabed.  We laughed as our footprints gradually disappeared behind us in the spongy, soaked sand, and we strayed unmindfully farther and farther from shore. 

When the tide reversed its course and began to flow back in, we dallied until the water was sloshing around our ankles before turning for shore.  To our surprise, the rising surge outpaced our progress, the four of us able to move no faster than two pairs of tiny legs could muster.  When the water got to our mid-calf level, we picked the girls up in our arms and picked up our pace, more than a touch anxious that we had underestimated our own capabilities.

We finally made it safely to higher, drier ground, but not before the water had soaked our buttocks, and to this day, I remember the knot of fear that had settled in my stomach, the certain knowledge that I was powerless against the relentless force of nature pursuing us shoreward.

Nature is like that—unrelenting, uncaring, inexorable.  In our arrogance, we humans like to call it Mother Nature—in the same way we have anthropomorphized so many presumed deities and abiding mysteries.  But nature is the furthest thing from a maternalistic, loving parent.

Since our planet first began its orbit around the sun, a natural environment has existed, an environment that eventually spawned life in its most primitive form.  We humans are but a relatively-recent expression of that life-force, and we fancy ourselves its most highly-developed manifestation.  From our very beginnings, we have sought to discover, understand, and control our surroundings—and to be fair, we have certainly done that to some extent.

Nevertheless, we find ourselves still subordinate to the forces of nature—feasts and famines, pestilence and disease, floods and droughts, tides and winds, wildfires and glacial melting, rising sea-levels, earthquakes and volcanic eruptions, to name a few.  We have managed to mitigate the damage of such events to some degree, but we have not been able to eliminate them.  In fact, the cataclysmic effects of nature’s actions have, over time, led to the extinction of many forms of life; taxonomists estimate that more than ninety-nine percent of all species that have ever existed are extinct.  And so, the question naturally arises, could that same fate await our species?

The International Union for Conservation of Nature (IUCN) publishes a Red List of Threatened Species, an inventory of the global conservation status and extinction risk of biological species.  It includes 2.16 million current animal species, almost surely an underestimate, the most numerous of which is insects, almost half the total.  In descending numerical order, the other groups are: molluscs, arachnids, crustaceans, fishes, reptiles, birds, amphibians, mammals, and corals.

We humans are just one species among the mammals, the second-smallest of the ten groups, a mere 0.003 percent of the total.  Our group numbers more than 6500 recognized species, and of those, we are the most numerous (with rats being second).

In addition to the 2.16 million animal species on the planet, there are more than sixty thousand other species of life, including protozoa, plants, chromists, fungi, bacteria, and archaea.  Among these, bacteria—the smallest, simplest, and most ancient cells—exert a tremendous influence on human life. 

In our bodies, bacteria inhabit our digestive system, live on our skin, and contribute to our general wellbeing.  But there is a downside, too; infectious diseases caused by bacteria have killed more than half of all humans who have ever lived, through pandemics such as the bubonic plague.  Other examples of disease caused by bacteria include tuberculosis, whooping cough, sexually-transmitted infections, and e-coli.  Because bacteria can reproduce themselves in less than an hour, mutations can emerge and accumulate rapidly, causing significant change, such as resistance to antibiotics.

Viruses, by contrast, are not living organisms.  Rather, they are an assembly of different types of molecules that assume different shapes and sizes, but they can be as dangerous to human life as bacteria.  Unlike bacteria, they cannot reproduce on their own, but need to enter a living cell to replicate and evolve.  Once inside, they take over the cellular machinery of their host and force it to make new viruses.  They can infect humans, other animals, plants, and even bacteria, and are able to evolve and jump from other animal forms to humans.  They cause diseases like the flu, the formidable common cold, and SARS-CoV-2.

In the face of many perceived threats to our survival, a group of prominent researchers in Australia, the Commission for the Human Future, identified a list of risks to life on the planet: climate change, environmental decline leading to species extinction, nuclear weapons proliferation, resource scarcity (especially water), food insecurity, dangerous new technologies (such as AI), overpopulation, chemical pollution, pandemic disease, and denial and misinformation.  Six of the ten are clearly within nature’s purview; the other four would be the result of human miscalculation.

What our species does about these ten existential threats in the next few years will determine whether present and future generations face a safe, sustainable, and prosperous future or the prospect of collapse and even extinction, the report said.

It also stated, Understanding science, evidence, and analysis will be key to adequately addressing the threats and finding solutions. An evidence-based approach has been needed for many years.  Under-appreciating science and evidence leads to unmitigated risks…

Shaping [the human future] requires a collaborative, inclusive, and diverse discussion.  We should heed advice from political and social scientists on how to engage all people in this conversation…

Imagination, creativity, and new narratives will be needed for challenges that test our civil society and humanity.

I confess to some doubt as to whether our species, tribalistic and combative as we are, will be able to manage that collaborative approach.

And I think back to the apocryphal story of King Canute, trying to hold back the tide—knowing full well he could not—in an attempt to teach his flattering courtiers that an earthly monarch could exert no control over the natural elements.  True or not, the story illustrates the conceit of humankind in thinking we can ever be in control of nature.

As my wee family found out so long ago on the shores of the Bay of Fundy, we are most definitely not.

Nature will prevail, I fear.  And the planet will continue its evolutionary journey around the sun, perhaps without us, until that star, too, is extinguished.

Who Counts?

[ ED. NOTE: If you are an official FOLLOWER of this blog, you are receiving my posts fully displayed in the body of the email notifying you of each new post. To read the post in my actual blog-site format, click on the title at the top of the story in your email, and you will find it a much more enjoyable experience.]

Like many of you, I suspect, I was raised by a mother generous in the love she gave, and wise in her ways.  My four siblings and I benefited greatly from her counsel, and agree to this day that she was right about almost everything.

Whenever I was angry with my brother or one of my sisters, for example, she would caution me, If you have nothing good to say, don’t say anything at all.

Many of our relatives in my mother’s large, extended family were gregarious, well-informed on most subjects, opinionated, and frequently argumentative, so holiday gatherings occasionally became loud and disputatious.  At such moments, my mother would advise me, Sometimes it’s better to say nothing, even if they might think you don’t understand, than to open your mouth and prove it.

Occasionally, I would arrive home from school with some juicy bit of gossip, and she would say, If your friends are talking about other people behind their backs, you can be sure they talk about you when you aren’t there.  And when I would nod as if I understood, she would add, It’s always best to stick up for people who aren’t there.

Decades later, I encountered that last advice again in a landmark book by Stephen Covey, who exhorted his readers: Defend those who are absent—one of my mantras to this day.

A good number of my mother’s admonitions were homespun, she having been raised by descendants of  Scots/Irish farming-stock who had emigrated to eastern Ontario in the mid-nineteenth century.  It’s a long road that has no turning, she would tell me when I’d recount a tale of woe, feeling sorry for myself.  If I’d had a quarrel with a schoolmate, she would say, The road to a friend’s house is never long.  Or if I was sad and blue when things weren’t going well, she’d tell me, When things are dark, try to be the light that someone else can turn on.

I think of my mother often these days, and I miss her wisdom.  I wonder what she’d have to say about this world we live in now, with all its strife and turmoil. 

No one in our family was ever subjugated by an invading people, exploited and dispossessed of our native land.  None of us has ever been despised and disenfranchised because of our nationality, our ethnicity, our skin-colour, our religious beliefs, our gender orientation, our political preferences, our wealth or lack of it, our age, or any perceived disability.  Throughout our lives, in fact, we have been among the privileged of the earth.

Such is not the case for the human species as a whole, however.  Worldwide, a huge number of people are victimized by war, famine, drought, disease, and genocide, some to the point of death.  And for many of those who survive, barely, there is scant relief offered by others of our species.

The product of a random, evolutionary progression over millennia, we human beings at our most primal level are forever a tribally-oriented species.  We seek to be with our own, and are suspicious of any who are different.  We are intelligent, yes, but also egocentric, selfish, aggressive, predatory, manipulative, superstitious, and too often unforgiving.  And because these character traits often override the intelligence factor, is it any wonder we currently find ourselves in such a mess?

Many of the several wars consuming the planet right now, for instance, are the result of clashes among opposing superstitious beliefs—what we sanctimoniously call religion—where each protagonist claims there is no god but our own.  And as if that doesn’t constitute folly enough, consider that many historic wars were waged by our predecessors who claimed allegiance to the same god, even as they prayed to that deity by different names. 

Such foolishness, when earthly power was truly the false god they all desired!

We humans have allowed ourselves—perhaps through a callous disregard for our collective well-being, or maybe due gross ignorance of the consequences we soon shall face—to approach a point of no return.  We seem not to realize that the civilization we profess to admire is but the thinnest of veneers, perched precariously atop the baser instincts of our species.

My mother used to say, The circle is not complete until everybody is inside.  We should always try to make the circle wider, so that everyone can come in.

Decades later, I chanced upon remarkably similar advice, this time in one of Michael Connelly’s crime-novels, spoken by one of his fictional characters, Harry Bosch:  Everybody counts, or nobody counts.

Would our current state of world-affairs be better, I wonder, if we humans could ever adopt that premise?  If we could set aside our preoccupation with the many issues differentiating and separating us, and instead take up the humanistic character-traits we share that might bring us together?

I mean, who counts?

No Longer There

The weekly prompt from my Florida writers’ group was: tell a story from the point of view of an inanimate object.  This is my offering—

I first espied your home millennia ago, long before your primitive, bi-pedal predecessors first walked upon your insignificant rock and thought to look up at me.  And you, the survivors of eons of mingling and melding with each other, can see me still, as I wend my way to you across billions of years from a source no longer there.

That source, my home—originally anonymous, a mere speck in the vast cosmic dust of the universe—would have been invisible to you, had it not finally flamed out and vanished into a massive black hole of anti-matter, succumbing to the irresistible, terrible pull of gravity.

But I, the sole survivor of that massive, thermonuclear firestorm, endured to bear witness to its existence.  A blast of energy and light radiating out from its core, I traverse the interstellar darkness at the speed of light, my destination unknown ad infinitum.

At some distant point in time-past, one of your forebears was the first to spot my leading edge.  From that creature’s vantage-point, I was but one of uncounted pinpoints of light in the night-time panoply overhead, each of which, like me, had begun its journey after a cataclysmic conflagration—very much like the one your own star will eventually experience.

Along the way, I was assigned a name by one of your ancestors—although I remain undistinguished in the infinite reaches of the cosmos, which is indifferent to the affairs and conceits of your species.  I am but one of billions upon billions of similar bursts of energy, light-sources too numerous even to catalogue, let alone adorn with a patronym.

I have seen you for some time with my leading edge, and if you look into the darkened sky, you will spot me there—a seemingly-static but ultimately-endless burst of light.  You and your entire species will be lost to the annals of time, of course, long before my trailing edge arrives in your vicinity—at which point I, too, will vanish from the view of living things, if any, that might be left on your rock to notice.

But, unlike your species, I will not perish.  My light, from leading to trailing edge, will speed on forever, relentlessly pursuing the far reaches of the ever-expanding universe, which knows no bounds.

Much like the person who named me to honour one of the fanciful gods your species has pretended to worship in order to satisfy the unanswerable questions you persist in asking, you fancy yourself at the centre of existence, the very master of all you perceive.  But you were nothing before my infinite journey even began, and you will be nothing again in the blink of a cosmic eye.

If my leading edge could speak to my trailing edge when it eventually reaches what is left of your earthly abode, it might ask, “What do you see?  Is anyone there?”

“Nothing!  I see nothing,” my trailing edge will answer.

To which my leading edge might reply, “I saw them when I first passed by—a self-absorbed species busily erecting their ant-hills and lauding their advances, even as they warred upon one another and suffocated their planet.”

“Well, there is no one now,” the trailing edge will observe uncaringly.  “If once life existed on this barren rock, it is no longer there.”

Pity, that.