Five Cousins

Longer ago than I care to think, the final one of our five grandchildren made her entrance into the family.  She joined an older sister and brother, and two cousins, both girls.  Because the five of them live close to each other in the same town, they’ve spent a lot of time together and have grown quite close.

Ranging in age from seventeen to eleven, Ainsley, David, Alana, Naomi, and Abbey were the subjects of a book I published some years ago, a collection of poetry for and about them.  Titled Five Cousins, the book spun tales of their adventures at the various stages of life they had by then attained.

3 Cousins cover

Each of them received a copy from me one long-ago Christmas—signed, of course, with a suitable inscription.  At the time, the younger ones enjoyed having the poems read to them more than reading them themselves, but either way, their peals of laughter warmed the author’s heart.

Each of them had a section of the book, titled with their name, containing half-a-dozen or so poems with such titles as:  Ainsley Starting School; It’s David’s Day; Alana’s in Florida; Oh, Naomi, You’re the One; and Little Abbey’s Walking Now.

Over the years, these five cousins have seen a good deal of us, their Nana and Grandpa, often at our retirement home in Florida.  In one of life’s everlasting mysteries, they have grown older by leaps and bounds each year, while we elders have hardly aged at all!

[pause for muffled snickers of disbelief from amused grandchildren]

Regardless, it is a fact that three of them are now taller than we are; the eldest is off to university this fall; the second one will join her next year; the next two are halfway through high school; the youngest will soon enter junior high; and every one of them eats gobs more than we do!

As they have grown, their lives have gravitated less toward us and more to their friends; their interests have shifted away from us to their myriad interests and activities; the time we spend with them now is less than it used to be.  They face their futures now, rather than focusing back on what has been.

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Happily for us, they visited us in Florida this year—perhaps for the last time all together, as their lives will increasingly take them along paths diverging from ours.

That is natural, of course, and as it should be.  But their inexorable journey to their own destiny has me thinking I must write another collection of poems about them, and for them, before they leave the sanctuary of childhood for the last time.

I could do it for each of them separately, beginning with the eldest, and follow up for each succeeding one as they reach the age she is now.  Or I could do it as I did the first time, with poems about all of them, suitable to the stage each finds her- or himself at right now.

I think I favour the second option, given my own age.  Time, I increasingly find, is not to be taken for granted.

Anyway, here are five short pieces I have already written about them, collectively rather than individually, in haiku form.  The poems attempt to express my love for these five cousins, my hopes for them, and my unabashed pride in them.

smiling photographs

on the refrigerator—

loving grandchildren

*  *  *  *  *  *  *

grandchildren, our hope

for the future—as we were

once upon a time

*  *  *  *  *  *  *

free your grandchildren,

hug them close, then let them go—

they’ll e’er be with you

*  *  *  *  *  *  *

more yesterdays now

than tomorrows, but it’s the

tomorrows that count

grandchildren

Five Cousins e-book – http://www.lulu.com/spotlight/precept

Nothing Else Matters

I read an interesting post recently by an author, John Gorman*, who professed that life is essentially meaningless, that there’s no preordained destination for our journey.  Rather than searching fruitlessly for meaning in life, he wrote, we should be looking for the intrinsic value in the things we do along the way.

On the same day, I read another post by a different writer, Rachel McAlpine**, who mused poetically on the eventuality of her own death—

…I’ll be dead and I won’t know I’m dead because
the brain that could create, contain and comprehend that fact
has fled.

The two posts got me thinking about, guess what?  Death, and the value of life.  And here, in haiku form, are some conclusions I came to—

my thoughts, unbridled,

take me to worlds I ne’er will see,

nor have ever seen

The-Spirituality-and-Immortality-of-the-Soul

don’t fret the future,

focus fiercely on the now

where we live our lives

the now

the journey from womb

to tomb—no matter how long—

is but a fragment

immortal 2

I would have to live

forever to realize

I already died

live-a-life-of-purpose

nothing else matters

in the great, grand tapestry

if you are with me

together

See?  No worries.

*[John Gorman –  IG: @heygorman]  **[Rachel McAlpine – writeintolife.com/blog]

 

‘Though the Winds Still Blow

Reflections are imperfect, it’s true, but instructive, nonetheless.  They allow us to look back over those roads we followed in our youth, with a mind to mapping the ones we have yet to encounter.  Here are a few of mine, in haiku form—

from my aging eyes,

the boy I once was looks out—

hardly changed at all

portrait-of-boy1

Or so it can seem.  I know he’s with me, although I encounter him less frequently now in my daily pursuits.  Perhaps he struggles, as do I, against the inexorable weight of the years—

the boy is within

the man, still, but hard to find

as age o’ertakes him

boy 3

Despite that, however, the persistent, exuberant boy I once was still urges me forward on his youthful quests, unfettered as he is by the physical restraints enshrouding the me who is me now—

the sails of my youth,

once hoist, are often furled now,

‘though the winds still blow

sailing-ship

Do I regret that I can no longer join that boy to play as once I did, that I cannot oblige him as he coaxes me onward?  Of course!  But, do I regret the choices I made, whether wise or foolish, when I was him those many years ago?  Well, I have scant time to dwell on that—

regrets?  some, maybe—

but I can’t go back to change

the pathways I’ve trod

two-roads-diverge

It’s the mapping of the road ahead that is most important to me now, however short or long it may prove to be, and the welcoming of each new adventure that awaits—

the uncertainty

of finishing pales next to

the joy of starting

fear 2

So, in spite of my inability now to cavort and engage in those many pursuits I all too often took for granted, I still search out that boy each day—hoping he will not tire of my company, welcoming his encouragement, remembering how I loved being him—

now well beyond my

diamond jubilee, the

man is still the boy

images

 

 

 

 

April

Geoffrey Chaucer, in the late 1300’s, wrote about April in his Canterbury Tales, praising its rains and warm winds for the restoration of life and fertility after the endless winter—

Whan that Aprille with his shoures soote/ The droghte of March hath perced to the roote…

But T. S. Eliot, another British poet, took quite a different view in 1922, in The Waste Land, where he savaged the month—

April is the cruellest month, breeding/ Lilacs out of the dead land, mixing/ Memory and desire, stirring/ Dull roots with spring rain…

The same month, two opposing points of view, left to the reader to determine which is the most apt.

My own outlook varies from time to time, depending, I suppose, upon my mood, the weather, and the company I keep.  I have often longed for the coming of April with its showers sweet, its promise of spring, only to be disappointed by its refusal to let go of winter.

Poetry is one means I employ to give voice to my feelings, sometimes optimistic, full of hope, and other times doubtful and despairing.  I find the Japanese haiku form especially appropriate—three lines of five, seven, and five syllables, respectively—to convey my conflicted state of mind.

By way of example, here are five haiku I have written dealing with April, each with a picture in harmony with my outlook.  I, too, leave it to you, the reader, to decide which of my moods is being conveyed by each—

peekaboo

sun plays peekaboo,
dancing ‘cross the wint’ry lake—
heralding the spring

peekaboo

teasing

april is cruel—
so the poet says—teasing
us falsely with spring

springtime

spring

joining in our walk,
tentatively, yet warmly—
sweet spring has returned

pring walk2

april fool

april can’t fool me,
that false harbinger of spring—
may is the gateway

rainy april

in the rain

dancing in the rain,
neither of us wet or cold—
warmly wrapped in love

in the rain

May the spring blossom anew for you…..in April, or whenever it arrives!

 

 

 

 

Write Lots

write, write, and rewrite—

write until it doesn’t sound

like writing at all

writing

Haiku is a very short form of Japanese poetry, altered over time to fit the demands of the English language.  The essence of haiku is represented by the juxtaposition of two images or ideas and a break between them, a kind of verbal punctuation mark that signals the separation, and colours the manner in which the juxtaposed elements are related.

Traditional haiku consist of seventeen syllables, rendered in English in three phrases of five, seven, and five syllables, respectively.  The lines usually do not rhyme, although many haiku composers try to rhyme the first and last phrases as an additional challenge.

A three-word haiku poem is extremely difficult, but a lot of fun to attempt.

Here are some more samples by me, a keen neophyte, accompanied by pictures for my own pleasure—

nightmares waken me,

phantom fears that something lurks—

banished by the dawn

IMG_1015

comes dawn, the new day,

rising full of hope unspoiled,

banishing the night

IMG_1411

shoulder to shoulder,

a capella voices raised—

united in song

IMG_1449

shore birds by the pond

visible in dawn’s first light—

stalking careless fish

IMG-7850

unrelentingly

under-appreciated—

mediocrity

mediocrity

And a final one—

write lots and often,

share most of it with readers—

prose and poetry

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