Tag Archives: funeral

Ciao For Now

A recent prompt from my Florida writers’ group asked us to make up a story about a person whose time is running out. This is my make-believe offering—

In all the years I knew him, I never heard my father use the word goodbye.  Not to anyone, not ever.  At every point of farewell, he’d offer up a substitute or synonym for the word—Pip-pip!  So long!  Good night! Cheerio!  ‘Til next time!  Toodle-oo!  See you later!  Take care!

Occasionally, he’d venture a foreign language—Adieu!  Auf Wiedersehen!  Adios!  Sayonara!  Towards the end of his life, he came to favour Ciao for now!  But he’d never use the word goodbye, and I used to wonder why.

He tried to explain it once to a mildly-curious, teenaged son.  “The word is too permanent, that’s all.  It implies the end, the finish, that there’ll be nothing to follow.  I prefer to think I’ll be meeting the other person again.”  But I confess, I didn’t really see the difference, callow as I was.

Although born and raised in Canada, my father was an Oxonian—a graduate of Oxford University, Balliol College, class of 1932, a member of the rowing club—and among his lecturers were C.S. Lewis and the great J.R.R. Tolkien.  Gainfully employed back in Canada with a PhD in Literature, he was one of the earliest to enlist after Canada went to war in 1939.  He served as a medical orderly until demobbed in 1943, when he returned home in time for my birth.

“Despite our best efforts to save them, we lost a lot of good fellows,” he would reflect from time to time in his later years.  “We knew their time was running out, but I never said goodbye to any of them.  I wanted them to believe there was still more to come.”

Somewhere over there, with his comrades at Oxford or in the obscene battlefields, he learned a nonsensical, British ditty about farewells, not goodbyes, and he used to sing it to me and my siblings from time to time, usually when we balked at having to go to bed.  He was an enthusiastic, if somewhat undisciplined, singer, but we came to love that song.

Eventually, of course, the fateful day arrived, as it does for all of us, that my father’s own time was running out.  Home from hospital for the last time in the deep mid-winter, he was with my mother and their five children and our spouses—the ‘dirty dozen’, as we had long styled ourselves.  We all knew the end was nigh, though none acknowledged it, and small talk prevailed until my father raised a frail hand.  We waited, breath bated, and in a faltering voice between short gasps for breath, he sang that song one final time—his way of letting us know this was not goodbye.

Most of us, I suspect, did not believe that, but no one let on.

A few months later, when the frost had left the ground, we gathered again at the family’s burial plot for my father’s interment, joined this time by his grandchildren, his sister, his nieces and nephews, and a few cousins.  In keeping with his wishes, it was a simple ceremony, and two of us spoke on behalf of the group before his ashes were lowered into the grave by his eldest grandchildren.  And then we all stood around, staring awkwardly at the ground, as if reluctant to leave.

At that point, with an exquisite sense of timing, my younger brother stepped forward and began to sing our father’s farewell nonsense-song, his voice soft but firm.  Before he could finish the first line, all of us who knew it had joined in—a sad farewell, yet a joyous acknowledgment that this was not goodbye.

Pip! Pip! Toot-toot, Godspeed,
Toodle-oo, toodle-oo, toodle-oo,
Ta-ta, old bean, Ting-ting, old thing,
Chuckeroo, Chuckeroo, Chuckeroo!
This parting brings us sorrow,
We hate to say adieu,
So, we’ll say Ting-a-ling, old tin of fruit,
Cheerio, cheerio to you!

Now, within hailing-distance myself of the age at which he died, I think of my father often, and I hear that little ditty echoing in my mind, just as he sang it so many years ago.

“Cheerio, Dad,” I murmur each time.  “Ciao for now!”

The Thin, Dark Veil

My Florida writers’ group prompt for this week is to write about a thin veil or veneer, and this is what I have come up with…not wishful thinking, but a fanciful, funereal tale—

* * * * * * *

For now we see through a glass, darkly; but then face to face…

I hear the mighty pipe organ, that King of instruments, pealing the melody I know so well—my favourite hymn, its words engraved on my heart—rolling majestically through the cavernous cathedral where so many times I have gathered with my family in this congregation.

Oh Lord, my God, when I in awesome wonder,
Consider all the worlds Thy hands have made…

I see the people who have come to mourn or celebrate, to lament or rejoice, depending on their view of me, I suppose.  I know all of them, the well-meaning grievers and the disbelieving voyeurs—though they seem distant despite their disconcerting closeness as they lean over my casket.  I cannot see them clearly, for it is as if a thin, dark veil lies across my eyes. 

I hardly recognize long-ago colleagues, much-aged now, and almost-forgotten neighbours from homes I have lived in over the years.  There are acquaintances and friends from bygone times, most of whom I have not seen in many a day.  Some whisper a few words as they pause over me, but I cannot hear them on account of the glorious music enveloping me—

I see the stars, I hear the rolling thunder
Thy power throughout the universe displayed…

Some of these folks, I believe, have come in sadness, while others, less charitably, are here to assure themselves that I have, indeed, crossed the bar.  Some will miss me, of that I am sure; others, not so much.  But really, how could it be otherwise?  Are there any among us who will be universally mourned at their time of passing?

There are those who are genuinely saddened by my leaving, however, and I see them, too—dimly, darkly—as they linger over me.  I recognize the two old men whom I have loved since we were ragamuffin boys, and their wives, tears gracing their faces, hands lovingly touching my cheek, though I cannot feel them.  One of them crosses herself as she hovers there, an angelic apparition, an ephemeral chimera, and although I have never been one to embrace obvious signs of piety, I am comforted by her simple gesture as the mighty organ swells—

Then sings my soul, my Savior God to Thee,
How great Thou art, how great Thou art…

And then at last there appear the people whom I love the most.  My vision is blurred and hazy through the veil, but I recognize my grandchildren—the adults they are now (strangely shape-shifting with the babies they were).  And I see my middle-aged daughters (inexplicably intermingling with the lovely little girls who graced my life once upon a time, and for all time).  Their eyes are smiling down at me, their grandpa, their daddy, even as their tears flow forth.

Coming at the very last, of course, is the stooped and wrinkled wife who has been there since the very beginning—mother and grandmother, boon companion—and she, too, is metamorphosing back and forth from the lissome lass she was to the weathered woman she has become.  And I understand, perhaps for the first time, the devotion expressed in Yeats’s poetic words: …one man…loved the sorrows of your changing face.

She stands above me for the longest time, my very life, yet not long enough before she is gone, leaving behind one final, sad smile.  And still I hear the magnificent music, its o’erarching crescendo anointing me, before fading to an other-worldly silence—

Then sings my soul, my Savior God to Thee,
How great Thou ar-r-r-t, how grea-ea-t Thou art…

And when the music stops, the thin, dark veil is lifted.  And as the hoped-for, everlasting light bursts forth, I do as the old man in Yeats’s poem did before me—I hide my face amid a cloud of stars.