Good News…and a Preview

As many of you know, I recently published my ninth collection of stories and poems, something I’m very pleased about.

Titled Write On! Tales of a Serial Scribbler, it holds a trove of more than forty pieces I’ve written for the Pelican Pens, a group of enthusiastic writers here in southwest Florida. Each week, we meet to read our work to each other, to offer friendly encouragement, and to devise prompts to guide our creative juices for the following week.

After sending out my announcement the other day, it occurred to me that readers of this blog might like to read one of the short tales included in the book.  Titled And Off We Go, it’s founded on the prompt—embarking on a fateful journey.

I’ve entered this tale in the Gulf Coast Writers Association 2024 writing contest, a competition where I was fortunate enough to take home first-place a year ago with a piece titled But He Didn’t!

I hope you’ll enjoy this preview of what lies in store for you in Write On! Tales of a Serial Scribbler. You can see more of the book, and my other published books, at this safe link—https://lulu.com/spotlight/precept

And Off We Go

“Shall we go?”  The sepulchral voice is solemn, portentous, and it reverberates ominously in my ears.

Not yet…not yet!  I’m not ready…

I hear other voices, too, softer voices…my daughters, named for our favourite flowers so many years ago.  They’re talking quietly over me as I lie in a bed I cannot feel in a hospital room I cannot see, unable to speak or move.

“He can’t open his eyes,” Veronica says, “but I can see them moving behind his eyelids.”

“Yeah, I see that,” Jasmine agrees.  “I think he can hear us.”

“Can you, Dad?” Veronica asks softly.  “Can you hear us?”

Yes, yes, yes!  I’m right here…

“He can’t answer you, Vee,” Jasmine says sorrowfully.

She’s right, I can’t.  Everything was fine until…until…whatever day it was, I can’t remember…and that red wave washed over me, collapsing me on the floor for I don’t know how long.  And now here I am, wherever this is.

“Shall we go?” the voice resounds in my ears again, a honeyed basso-profundo, not at all impatient, yet determined nonetheless.

No, not yet!  It’s too soon…

“Keep stroking his hair, Jazz,” Veronica says.  “He always liked that.”

I did always like it, but I can’t feel a thing now.  I can only imagine how it feels, and the thought warms my heart.  I laugh inwardly, knowing my hair must be all askew.

“I love you, Daddy,” Jasmine whispers.  “I hope you know that.”

“He knows we love him, he knows,” Veronica says, and I imagine she is holding my arthritic hands in hers, gently massaging them, terribly weakened now when once they were so strong.  But I can feel nothing.

I lifted you high in these hands, Vee, high up over my head.  And Jazz, too!  And now…and now…

“Shall we go?”  The voice asks again, persistent though not offensive.

Not yet!  No!

“You don’t have to worry about us, Dad,” Veronica whispers.  “We’ll be fine.”

“She’s right, Daddy,” Jasmine adds.  “You and Mummy were the best, and we’ll be just fine.”

I know, I know…but I don’t want to go…

They’re right, of course, they will be fine, both with their own wee families now.  The little ones were here earlier with their daddies…at least I think they were…maybe not…but I’m sure I heard those four tiny voices telling me they love me.  I wanted to say it back to them, to wrap my arms around them, but…

“And don’t forget, Dad,” Veronica continues, “Mum said she’d be waiting for you to find her, remember?  She’ll be watching for you.”

Ah, their mother, my wife, my lifelong love…how I’ve missed her.  Despite a valiant struggle against the disease that wasted her, she left us a few years ago.  And yet, she never truly left us, you know?  I wonder if Vee is right, if she really will be waiting there, wherever there is…my darling Clementine…

“Shall we go?”  The voice is insistent, though not unkind.

No, please!  Not yet…

“I’m sure Mummy’s been missing you, Daddy,” Jasmine murmurs, and I can hear the sob catching in her throat.  “You were meant to be together for all time.”

“Exactly!” Veronica says, trying to lighten the mood.  “Like apple pie and cheese!  Like mustard and relish!”  She laughs softly as she gropes for more examples.

Jasmine joins in her sister’s laughter, and my heart dances to the sounds of their lilting voices.  “Yeah, or like Abbott and Costello!” she says.  “Like Jack and Jill!”

“Lady and the Tramp!” Veronica offers, and the laughter grows louder.  “Romeo and Juliet!”

“Omigod!” Jasmine gasps, their laughter rolling freely now.  “Tweedledum and Tweedledee!  Lancelot and Guinevere!  Sweet and sour!”

“Yin and yang,” Veronica says, and they stop on that one, as if it’s the perfect one to describe me and Clemmie.

“Shall we go?” a voice asks again…but it’s a different voice this time.  Frozen inside my immobile body, I cannot move, but I feel as if I’m turning around and there is Clemmie…as young and as fair as the first rose of summer.  She’s standing in the midway at the State Fair, pointing at the Tunnel of Love attraction, the one where we had our first, tentative kiss, where the sense we’d found something special first dawned on us.

“Shall we go?” she asks again, and her eyes are sparkling, her smile warm and welcoming.

“It’s okay, Dad,” Veronica whispers, “it’s okay to go.”

“Goodbye, Daddy,” Jasmine breathes.  “We love you.”

Goodbye, goodbye…I love you both…

And I reach for Clemmie’s hand, and off we go.

Showing Up

Spring training is underway, the start of another magical baseball season.  The boys of summer are assembling once again to ply their athletic gifts, and to amaze us with their exploits on the diamond.

And every spring, their gathering reminds me of those happy days—more than just a couple of years ago—when the annual softball season opened in our Florida retirement community.  A mob of aging, erstwhile ballplayers would converge on the local park for the opening games of the season.

Most of us had spent a good part of our lives playing ball.  Others, newly retired, had taken it up only recently.  But we all shared the same enthusiasm for the game.

We enjoyed swinging the bat with wistfully-remembered power in the on-deck circle; we relished the anticipation of our turn at bat while waiting in the batter’s box; and we cherished the elusive base hits we sometimes might stroke.  There was always an exhilarating feeling of freedom in running ‘round the bases at top speed, or in chasing full-tilt after a long fly ball in the outfield—the wind rushing in our ears, visions of grace and glory flickering in our mind’s eye.  At such moments, nothing else mattered in the world but the game.

The game was the thing, and we wished it could last forever.

But it couldn’t, of course.  Even back then, we could see the end approaching—still hazy on the far horizon, perhaps, but in sight, nonetheless.

The signs were small at first, but the start of each successive season brought more of them.  The bats seemed heavier, the balls smaller, the bases farther apart.  There appeared to be more holes in the infield for opponents’ ground balls to skip through.  The throws in from the outfield lacked some of the crispness that was seen in other years.

In fact, I discovered to my chagrin that I’d become a centre-fielder with a second-baseman’s arm!

The most significant sign of all was the constant aching in our legs, our arms, our backs—lasting just a little longer than it ever used to.  We feared for the day when it would linger all the way into next week’s game.

I suppose that’s why we eventually switched to a tamer version of the game, limited to those sixty years of age or older.  Gone were the young, aggressive Turks who had overtaken us on the base paths.  Gone, too, were the strong-armed pitchers who could overpower us in the batter’s box.

And gone with them, unlamented, was the notion that winning was the only satisfactory outcome.

Our game morphed into slo-pitch.  The ball would float in from the mound to the waiting batter, crouching, bat-cocked, in gleeful eagerness.  When he hit it, more often than not it was to one of the waiting fielders—of whom there were ten (in deference to our declining ability to cover the whole field).

Many of the old softball rules were changed, or at least modified for our game. For example, a team’s turn at bat still ended when three players were tagged Out!, but no team could go through its batting lineup more than once, even if everyone batted safely.

The best part, though, was that no one seemed to worry too much about winning. At the end of every game, the players would file past each other across the middle of the infield, laughing, slapping high-fives, and complimenting each other on a game well-played.  When asked later (perhaps after a brew or two) about the outcome of the game, we often had trouble remembering the final score.

Most of us always loved playing ball, and were awfully glad there was still a game for us to play. Because playing, far more than winning or losing, was the elusive reward for our efforts.

My playing days, alas, are far behind me now, but I remember them fondly.  And I’m glad that, by the time I was through, it wasn’t who won the game that counted—it was who showed up to play!

I wish I still could.

‘Til It’s Gone

Since the turn of the century, my wife and I have been blessed to spend six months a year in Florida.  During that period, we’ve lived under four American presidents—George W. Bush, Barack Obama, Donald Trump, and Joe Biden.

In that same timeframe in Canada, we’ve lived under four prime ministers—Jean Chretien, Paul Martin, Stephen Harper, and Justin Trudeau.

In Florida, we’ve made dozens of friends over that period, both fellow-Canadians and Americans, most of them snowbirds like us.  Given the constraints of time and distance, and the vicissitudes of age, we no longer see many of them as often as once we did, alas; but we have never stopped considering them friends.

The majority, not all, are similar to us in the ideas we espouse, the values we cherish.  My wife and I consider ourselves socially progressive, left-leaning, but close to the centre—more Liberal than PC in Canadian political terms, more Democrat than GOP in the American context.  We instinctively distrust the fringe elements at both ends of the spectrum.

Some of our friends, though, are not so like-minded, being decidedly more right-of-centre than we.  With them we generally avoid politically-fraught conversations, preferring amity and camaraderie to confrontation and unpleasantness.  And it is indisputably true that all of them, regardless of viewpoint, are generous and kind in their dealings with us.

In the wider context, however—especially in the USA, but also in Canada to a lesser extent—we are currently witnessing an increasing divergence of opinion across social and political lines, accompanied by mistrust and hostility on both sides.  Socially, the divergence is epitomized by the divide between the privileged few at the top of the socio-economic ladder and the huddled masses near the bottom.  Politically, it is portrayed as the struggle between radical leftists (vilified by their foes as socialists) and ultra-right zealots (pilloried by their foes as fascists).

I must confess, my own political leanings are more socialist than fascist, more democratic than autocratic.

The struggle plays out across a large number of issues, a small sample of which includes: racism; LGBTQ2S+trans rights; reproductive rights; healthcare; voting rights; climate change; role and size of government; and religion.  It is the first and last on this list that I deem most problematic in both countries.

Racism is a persistent concern.  For many people in the USA, slavery is the unforgivable sin, the ineradicable stain on the national fabric, a transgression for which amends and restitution must be made.  For some, it is a part of history best left forgotten, as if all is right with the world—see no evil, hear no evil, speak no evil.  With good will on both sides, however, these two groups could likely find common ground at some point. 

But for others, a minority but a vocal one in both countries, racism remains a part of their ethos to this day—a deliberate allegiance to the notion of white supremacy.  There is a great fear among such folk that they are being dispossessed of their rightful place, that their privilege is being taken from them.  And they decry immigration policies that, in their opinion, indiscriminately admit people of colour.

Many of these people—perhaps too many—turn to demagogues to promote their cause, and those demagogues shamelessly court them to advance their own objectives.

Religion is another major problem.  The separation of church and state, the partition between religious and civil authority, is a fundamental tenet in the governance of both the USA and Canada.  Whether founded as democratic republic or parliamentary democracy, neither nation was envisaged by its founders to be a theocracy, ruled (or unduly influenced) by religious leaders.

Iran is a theocracy, as are Afghanistan, Saudi Arabia, Yemen, even Vatican City.  But neither the USA nor Canada was intended to be one.

Yet today, in both countries, an ugly, religious fundamentalism has reared its head—a fundamentalism of a warped Christian persuasion, a fundamentalism, it must be said, distant from the teachings of the Christ regarding love, tolerance, repentance, forgiveness, and peace—all of which, mind you, are universal tenets found in the gospels of other major religions.   

This fundamentalism preaches adherence to a narrow interpretation of biblical scripture, and seems (at least to this man) unduly restrictive of the rights of women.  It is as if a pseudo-godly Godzilla has arisen to guide us to the Gilead foreseen by Margaret Atwood.  I see the movement as an obscene fundamentalism that, in the words of the poet William Butler Yeats, slouches towards Bethlehem to be born.

I do not, of course, deny the freedom enjoyed by citizens of either country to freely practice their religions of choice, whether Christian or otherwise; I do, however, strongly decry all attempts by any group to foist their beliefs upon others for whom those beliefs do not apply.

And I do not for one moment believe that such religious fundamentalism should have any role at all in the governance of either of the countries in which I reside.  But whether or not that will come to pass depends upon us.

In 2016, in the American presidential election, a large number of voters declined to cast a ballot.  Whether that was through ignorance, through a belief their one vote would not make a difference, or because of a visceral, irrational hatred of Hillary Clinton, I do not know.  Perhaps all of the above.  But I do know what resulted from that election.  And I do fear what might happen again in 2024 if ignorance, apathy, and hatred govern people’s actions.

Likewise in Canada, I fear ignorance, a belief one vote will not make a difference, or a visceral, irrational hatred of our current PM will yield a similar, catastrophic result in 2025.

Martin Luther King, Jr. said in one of his speeches, the arc of the moral universe is long, but it bends toward justice.  It is up to each of us, I suppose, to determine what constitutes justice and where it might best be found, both socially and politically.  But whatever it is, and wherever it is, I believe it is forward, not backward; upward, not downward; toward the light, not into the darkness.

As Joni Mitchell famously sang, …don’t it always seem to go that you don’t know what you’ve got ‘til it’s gone!

Thinking About Leap Year

The prompt from my Florida writers’ group was to write a short piece about Leap Year. This is what I came up with—

“Sometimes,” Gus says, “I think to myself this whole Leap Year thing is nothin’ but a boondoggle.”

“That’s redundant,” I say absently.

“What?” Gus says.

“I said what you said is redundant.  Repetitive, superfluous.  How else could you think, except to yourself?”

“What?

“Gus, think about it!  When you’re thinking, it’s just you communicating inside your brain.  Nobody else is privy to it.  If other people knew what you were thinking, it wouldn’t be thinking.  It would be talking.”

“You think so?” Gus says, brow furrowed.  “Yeah, I think you’re right.”

“Of course I’m right!” I say.  “So, it’s unnecessary to say you were thinking to yourself.  Needless, pointless.  All you have to say is, I think Leap Year is a boondoggle.”

“Yeah, that is what I think!” Gus says.  “You an’ me agree.”

“No, no,” I say, a tad exasperated.  “It’s you who thinks that, not I.”

“What?”

“It’s you who thinks Leap Year is a boondoggle!”

“Yeah, that’s what I said, an’ you wanta know why?  It’s them damn calendar-makers!”

“What?” I say.

“Think about it!” Gus says.  “Every seven years, the days of the month fall on the same date, like clockwork.  So, if it warn’t for them calendar-makers, after seven years, nobody would hafta buy calendars no more.  We could just recycle ‘em.  Them greedy SOBs up an’ stuck an extra day in Febeeary every four years to make sure we’d hafta keep buyin’ their products.” 

“Gus, Leap Year has nothing to do with calendar-makers!” I say.  “It has to do with Earth’s orbit around the sun, which takes three-hundred-and-sixty-five days, plus six hours, for a complete cycle.  After four years, that’s a whole extra day.  Your theory is poppycock!”

“What?” Gus says, forehead crinkling.

“Your theory is flawed, mistaken, incorrect.”

“Naw, I don’t think so,” Gus says.  “Leap year is just a marketin’ ploy.”

“No, it’s not!” I say.  “It’s a scientifically-proven manifestation.” 

“A what?”

“A manifestation, an occurrence, a fact!”

Gus stares at me for a long moment, then points a bony finger in my face.  “That’s redundant,” he says.  “An’ mark my words, Leap Year is nothin’ but a boondoggle!”  Then, with a sly grin, he adds, “A sham, a scam!  Leastways, that’s what I think!”

I smile weakly as he finishes, “To myself!”

Ciao For Now

A recent prompt from my Florida writers’ group asked us to make up a story about a person whose time is running out. This is my make-believe offering—

In all the years I knew him, I never heard my father use the word goodbye.  Not to anyone, not ever.  At every point of farewell, he’d offer up a substitute or synonym for the word—Pip-pip!  So long!  Good night! Cheerio!  ‘Til next time!  Toodle-oo!  See you later!  Take care!

Occasionally, he’d venture a foreign language—Adieu!  Auf Wiedersehen!  Adios!  Sayonara!  Towards the end of his life, he came to favour Ciao for now!  But he’d never use the word goodbye, and I used to wonder why.

He tried to explain it once to a mildly-curious, teenaged son.  “The word is too permanent, that’s all.  It implies the end, the finish, that there’ll be nothing to follow.  I prefer to think I’ll be meeting the other person again.”  But I confess, I didn’t really see the difference, callow as I was.

Although born and raised in Canada, my father was an Oxonian—a graduate of Oxford University, Balliol College, class of 1932, a member of the rowing club—and among his lecturers were C.S. Lewis and the great J.R.R. Tolkien.  Gainfully employed back in Canada with a PhD in Literature, he was one of the earliest to enlist after Canada went to war in 1939.  He served as a medical orderly until demobbed in 1943, when he returned home in time for my birth.

“Despite our best efforts to save them, we lost a lot of good fellows,” he would reflect from time to time in his later years.  “We knew their time was running out, but I never said goodbye to any of them.  I wanted them to believe there was still more to come.”

Somewhere over there, with his comrades at Oxford or in the obscene battlefields, he learned a nonsensical, British ditty about farewells, not goodbyes, and he used to sing it to me and my siblings from time to time, usually when we balked at having to go to bed.  He was an enthusiastic, if somewhat undisciplined, singer, but we came to love that song.

Eventually, of course, the fateful day arrived, as it does for all of us, that my father’s own time was running out.  Home from hospital for the last time in the deep mid-winter, he was with my mother and their five children and our spouses—the ‘dirty dozen’, as we had long styled ourselves.  We all knew the end was nigh, though none acknowledged it, and small talk prevailed until my father raised a frail hand.  We waited, breath bated, and in a faltering voice between short gasps for breath, he sang that song one final time—his way of letting us know this was not goodbye.

Most of us, I suspect, did not believe that, but no one let on.

A few months later, when the frost had left the ground, we gathered again at the family’s burial plot for my father’s interment, joined this time by his grandchildren, his sister, his nieces and nephews, and a few cousins.  In keeping with his wishes, it was a simple ceremony, and two of us spoke on behalf of the group before his ashes were lowered into the grave by his eldest grandchildren.  And then we all stood around, staring awkwardly at the ground, as if reluctant to leave.

At that point, with an exquisite sense of timing, my younger brother stepped forward and began to sing our father’s farewell nonsense-song, his voice soft but firm.  Before he could finish the first line, all of us who knew it had joined in—a sad farewell, yet a joyous acknowledgment that this was not goodbye.

Pip! Pip! Toot-toot, Godspeed,
Toodle-oo, toodle-oo, toodle-oo,
Ta-ta, old bean, Ting-ting, old thing,
Chuckeroo, Chuckeroo, Chuckeroo!
This parting brings us sorrow,
We hate to say adieu,
So, we’ll say Ting-a-ling, old tin of fruit,
Cheerio, cheerio to you!

Now, within hailing-distance myself of the age at which he died, I think of my father often, and I hear that little ditty echoing in my mind, just as he sang it so many years ago.

“Cheerio, Dad,” I murmur each time.  “Ciao for now!”

The Cannabis Murders

I’m excited to announce that The Cannabis Murders, my eleventh novel in the Maggie Keiller/Derek Sloan crime series, will be released early in February!

The riveting story unfolding in this book is set against a backdrop of rising public concern over the extent of covert Chinese interference in political and corporate affairs in Canada, and across North America.

The story itself is tied to the legal production and distribution of cannabis products, as a global producer with Chinese connections attempts to establish a manufacturing facility near the resort town of Port Huntington on Georgian Bay.  In so doing, the company encounters community opposition, and runs up against Indigenous land-claims to the property in question, both of which throw up major stumbling-blocks to its plans.

To everyone’s dismay, repeated vandalism, threatened extortion, violence, and eventually murder soon follow.  Maggie and Derek become caught up in events through her support of a young, Indigenous woman trapped in the turmoil that follows, and through his involvement as a negotiator for the First Nation land-claims.  And both are drawn further into the mayhem because of their connection to the government’s pending inquiry into the secretive operations of Chinese interests in the area.

Resolute as always to protect their community, and themselves, Maggie and Derek work closely with police to bring the evil perpetrators to justice.

I know you will enjoy this story, and I’ll post notice here when the book becomes available.  In the meantime, the ten earlier novels in this series, together with my eight anthologies of tales, can be found for a free preview or purchase at this safe link—https://www.lulu.com/spotlight/precept

Thanks to all of you who read my blog-posts. If you enjoy them, you are sure to love my books!

Brown Paper Bag

This poem was written in response to a prompt from my Florida writers’ group. It can be best enjoyed by reading it to the tune of the old, Irish ballad, ‘Black Velvet Band’.

His hair hung down to his shoulders,
His shirt was a tattered old rag.
Faded chevrons adorned both his worn, torn sleeves,
And his hands clutched a brown paper bag.

Gunny was the name we all called him,
A veteran, ‘though he never did brag.
He'd wander the streets of the neighborhood,
Snatching sips from his brown paper bag.

His only true friend was old Jarhead,
A mongrel with no leash or tag.
When he died, he left Gunny alone again,
Alone with his brown paper bag.

We never saw Gunny get angry,
He was never a scold or a nag.
When we passed him by, he would nod a sad smile,
And drink from his brown paper bag.

In the summers we often would see him,
With the kit-bag that held all his swag,
On a park bench alone in the warm sunshine,
Holding tight to his brown paper bag.

Then last winter with snowstorms a-swirling,
And temperatures starting to sag,
Gunny died forlorn in the homeless camp,
He’d drunk his last brown paper bag.

When they opened his kit, they discovered
A folded American flag,
And a Congressional Medal of Honor,
Sealed tight in a brown paper bag.

When they tried to find Gunny’s family,
Their best efforts all hit a snag.
But they buried him with full honors,
With his Medal from that brown paper bag.

Gunny rests now with his fallen comrades
‘Neath a cross in a field filled with flags.
UNKNOWN BUT TO GOD and those warriors---
Free at last from those brown paper bags.

Semper Fi, Gunny!

A Better Story

Can bad decisions lead to better stories?

Let us suppose for the purpose of crafting an entertaining story that your lead character’s dotty, old Aunt Hilda—whom he hasn’t seen in forty years, and who recently died at the impossibly-old age of 103—left him, her only heir, the sum of twenty-five million dollars, all in bearer-bonds, and twenty-five cats who shared her last abode.

Your protagonist is elated, of course, and only mildly sorry he hadn’t taken time to visit the old gal from time to time.  After placing the cats out for adoption and depositing one million of those dollars in his personal chequing account to cover immediate lifestyle changes, he now needs to decide how to properly invest and grow the remaining twenty-four million.

To whom does he turn for advice?

He could enlist the help of reliable, established bankers, investment counsellors, financial gurus, and market analysts, all of whom would be eager to serve.  He knows he could safely rely upon these learned and experienced people, whose profession it is to help other people make money—being handsomely reimbursed for their efforts, naturally.  Let us call this the elite option.

But if he has never considered himself an elite, he might decide to call on twenty-five of his closest friends who—in return for the chance to celebrate (and perhaps share in) his great, good fortune—tell him they will devise a sure-fire strategy to determine how he will invest the bulk of his new-found wealth.  That strategy, in order to be enacted, need only be approved by a simple, majority vote of 13–12, swayed perhaps by the most voluble, the most persuasive of the group, rather than by the most knowledgeable.  

Let us call this the populist option, and if your protagonist deems himself a man of the people, he might well choose this second course.

Or, let us suppose for the purpose of creating another entertaining story that your lead character has been recently diagnosed with a life-threatening illness, out of the blue, and that she has very little time to decide on the best medical option that might save her life—although there are no guarantees, of course, from any of them.

To whom does she turn for advice?

She could, in addition to talking with her loved ones, consult with her physician and the specialists to whom the physician refers her, all experts in their field.  Before choosing her treatment plan, she might seek second, third, even fourth opinions from people who have studied their entire lives to deal with critical situations such as hers.  Let us call this, again, the elite option.

But let us suppose again, if she does not reckon herself among the elite, she might gather together concerned family members and friends, all of whom love her and wish her only the best, to ask, by majority vote, which treatment plan they believe she should follow—the established medical option, a naturopathic or homeopathic approach, or maybe an experimental route (which might require travel to a foreign country for procedures not approved in her home and native land). 

Let us call this, again, the populist option, and if she fancies herself of the people, she might choose this second course.

In these examples (deliberately simplistic, I know), there are dilemmas confronting these two characters and the decisions they would have to make.  To whom would they turn in such critical situations, the elites or the populists?

The authors of such stories, too, face these same dilemmas, these same decisions.  Which path should they choose for their protagonists to follow in order to compel their readers to stay locked in to the story?  And will those decisions prove good or bad?

In one telling of the first example, the lucky heir to the twenty-five million dollars might turn to the wise counsel of the investment community, prosper as his fortune grows, and live in a cloistered castle to a ripe, old age.  End of story.

But in another telling, he might seek the advice of his friends, invest and lose his entire inheritance based on their advice, realize belatedly the error of his ways, embark on a driven quest to recoup his lost fortune, clash and joust with pillars of the financial community, rise and fall again and again, only to triumph at the end—a true Horatio Alger story.  Or perhaps, in a cruel twist of fate, he might lose it all yet again and die miserably in an abject state of poverty.

Only the author can decide.

In one telling of the second example, the stricken person might rely upon the medical establishment and, after a period of treatment and rehabilitation, survive to live a long and happy life.  End of story.

But in another telling, the person might turn to family and friends for a decision, choose unwisely, see her condition worsen unto the point of death, only to be miraculously saved by the last-minute intervention of a handsome, dedicated doctor who refuses to be rebuffed by quackery.  The patient’s health improves dramatically, she marries her saviour, and goes on to live well into her nineties.  Or perhaps, in a cruel twist of fate, she is assailed by a recurrence of her disease, against which she vies valiantly, time and again, only to succumb in the end—a true Shakespearian tragedy.

Only the author can decide.

In either example, which do you suppose might offer the more entertaining story, the first version or the second?  The authors make their decisions in the initial writing, of course, but in the end, it is the readers who decide if those decisions are good or bad.

So, can bad decisions lead to better stories?

You tell me.

My Whiffenpoof

The weekly prompt from my Florida writers’ group was to write a piece incorporating a song lyric, even a misunderstood one. I chose to use a complete song, but with its meaning and setting skewed from its real attribution for purposes of fiction.

The young lad’s voice was pleasant enough, if a tad off-key here and there, and he held his beer-drinking audience rapt as he began singing the song.

To the tables down at Mory’s, to the place where Louie dwells,
To the dear old Temple Bar we love so well,
Sing the Whiffenpoofs assembled with our glasses raised on high,
And the magic of our singing casts a spell…

“What’s a Whiffenpoof?” old Hardy McKinnon yelled out rudely, slamming his empty glass down on the table in front of him, half-cut already, though the evening was young.  “Sounds like a fart!  One o’ them SBD ones!”

The lad stopped singing, joined in the laughter that followed, then said, “SBD?  What’s SBD?”

“Silent but deadly!” McKinnon’s wife cried, pointing at her husband, beckoning to me for another round as the laughter erupted again.

“Quiet, ye lot!” I shouted from behind the bar where I’d been drawing another tray of drafts.  “Let the boy sing his song!”

Indeed, he did look more a boy than a man, sitting there in his khaki uniform, the cuff of one sleeve pinned to his left shoulder where his arm should have been—the only one to return of five village lads who had marched proudly to the train station two long years ago, off to fight the foe for King and country. 

The polished medal at the end of the ribbon round his neck testified to his gallantry and sacrifice—the Victoria Cross, awarded for valour in the face of the enemy, the highest military award the nation could offer.  It had been presented by none other than King George himself, and I’d been there to witness it.

“Let him sing!” I cried once more into the clamour, and it subsided quickly as Jimmy took up his song again.

Yes, the magic of our singing of the songs we love so well---
‘Shall I Wasting’ and ‘Mavourneen’ and the rest---
We will serenade our Louie while life and voice do last,
Then we’ll pass and be forgotten with the rest…

The eyes of almost everyone were fixed steadily on the lad as he sang, the words and melody casting a solemn pall over the room.  Those who weren’t looking at him were staring emptily into space with that thousand-yard stare I used to see in my Robert’s eyes after he came home from fighting the Boers.  He never spoke of the horrors, nor of the comrades he’d lost, but I knew they’d been with him ‘til the day he died.

I’d held on to the business after he passed, McSorley’s Old Ale House being the only home I had, and the only pub for miles around—a gathering-place as sacred to its patrons in its own way as the Church of England ever could be.

“Aye, Jimmy, sing some more!” Angus MacPherson said softly into the silence.  “Sing the chorus for us, lad!” 

Jimmy drank deeply from the new pint I’d set in front of him, wiped the foam from his mouth with his one hand, and when he started in again, many of the assembled joined in, the words as familiar to them as the faces in their mirrors—

We’re poor little lambs who have lost our way,
Baa, baa, baa!
We’re little black sheep who have gone astray,
Baa, baa, baa!
Gentlemen songsters out on a spree, doomed from here to eternity,
Lord, have mercy on such as we,
Baa, baa, baa!

My tears glistened on the polished, wooden surface of the bar, and I scrubbed them away furiously with my rag.  Most of the old warriors who’d been singing along were weeping, too—silent tears tracking down their grizzled, ruddy cheeks, only to be swallowed up and lost in their scraggly beards, just as their innocent youth had been torn from them by the long-ago battles they had fought for the fading Empire.

In the silence that blanketed the normally-boisterous room, Jimmy stood up, finished his pint, then walked wearily over to the bar, waving shyly to the crowd.  “I’ll be headin’ up now,” he whispered with a sad smile.  “Shout me up when yer closin’, an’ I’ll be back down to help.”

“Shure, an’ I’ll be doin’ that very thing,” I said, knowing full well I would not.  The boy was bone-tired, I could tell, and needing his sleep—if sleep would come.  I watched as he mounted the narrow staircase, his steps heavy, his one hand on the banister, his chin sunk low on his chest.  I couldn’t see his medal, but I know it weighed heavy on him.  He’d have given it back in an instant if it meant the return of his fallen friends.

“He’s a good lad, young Jimmy!” Liam Dewar shouted, his half-empty pint raised high.  “A noble warrior, an’ a damn fine singer!”

“Three cheers for Jimmy!” Molly Malone cried, a bit unsteady on her feet, trying not to show it.   She was sweet on Jimmy, I knew, but trying not to show that, either.  The crowd joined in, as did I—Huzzah!  Huzzah!  Huzzah!

And then another song broke out, this time led by the lovely tenor voice of the vicar, the Reverend Alastair Holmes, and everyone took up the tune—

It’s a long way to Tipperary, it’s a long way to go,
It’s a long way to Tipperary, to the sweetest girl I know…

And I thought about the long way home young Jimmy had taken—the journey from carefree boyhood to the blood-soaked trenches of Europe, and back again—mutilated and scarred, perhaps forever.  And for what?  For three cheers and a piece of tin around his neck?

My tears began anew, but tears of gratitude this time—gratitude that, unlike so many other mothers’ sons, he was home again.

My Whiffenpoof.

My boy.

And Off We Go

The weekly prompt from my Florida writers’ group was to write a piece containing the phrase, “shall we go…”.  This fictitious tale is my response.

“Shall we go?”  The sepulchral voice is solemn, portentous, and it reverberates ominously in my ears.

Not yet…not yet!  I’m not ready.

I hear other voices, too, softer voices…my daughters, named for our favourite flowers so many years ago.  They’re talking quietly over me as I lie in a bed I cannot feel in a hospital room I cannot see, unable to speak or move.

“He can’t open his eyes,” Veronica says, “but I can see them moving behind his eyelids.”

“Yeah, I see that,” Jasmine agrees.  “I think he can hear us.”

“Can you, Dad?” Veronica asks softly.  “Can you hear us?”

Yes, yes, yes!  I’m right here!

“He can’t answer you, Vee,” Jasmine says sorrowfully.

She’s right, I can’t.  Everything was fine until…until…whatever day it was, I can’t remember…and that red wave washed over me, collapsing me on the floor for I don’t know how long.  And now here I am, wherever this is.

“Shall we go?” the voice resounds in my ears again, a honeyed basso-profundo, not at all impatient, yet determined nonetheless.

No, not yet!  It’s too soon.

“Keep stroking his hair, Jazz,” Veronica says.  “He always liked that.”

I did always like it, but I can’t feel a thing now.  I can only imagine how it feels, and the thought warms my heart.  I laugh inwardly, knowing my hair must be all askew.

“I love you, Daddy,” Jasmine whispers.  “I hope you know that.”

“He knows we love him, he knows,” Veronica says, and I imagine she is holding my arthritic hands in hers, gently massaging them, terribly weakened now when once they were so strong.  But I can feel nothing.

I lifted you high in these hands, Vee, high up over my head.  And Jazz, too!  And now…and now…

“Shall we go?”  The voice asks again, persistent though not offensive.

Not yet!  No!

“You don’t have to worry about us, Dad,” Veronica whispers.  “We’ll be fine.”

“She’s right, Daddy,” Jasmine adds.  “You and Mummy were the best, and we’ll be just fine.”

I know, I know…but I don’t want to go.

They’re right, of course, they will be fine, both with their own wee families now.  The little ones were here earlier with their daddies…at least I think they were…maybe not…but I’m sure I heard those four tiny voices telling me they love me.  I wanted to say it back to them, to wrap my arms around them, but…

“And don’t forget, Dad,” Veronica continues, “Mum said she’d be waiting for you to find her, remember?  She’ll be watching for you.”

Ah, their mother, my wife, my lifelong love…how I’ve missed her.  Despite a valiant struggle against the disease that wasted her, she left us a few years ago.  And yet, she never truly left us, you know?  I wonder if Vee is right, if she really will be there, wherever there is…my darling Clementine…

“Shall we go?”  The voice is relentless, insistent, though not unkind.

No, please!  Not yet.

“I’m sure Mummy’s been missing you, Daddy,” Jasmine murmurs, and I can hear the sob catching in her throat.  “You were meant to be together for all time.”

“Exactly!” Veronica says, trying to lighten the mood.  “Like apple pie and cheese!  Like mustard and relish!”  She laughs softly as she gropes for more examples.

Jasmine joins in her sister’s laughter, and my heart dances to the sounds of their lilting voices.  “Yeah, or like Abbott and Costello!” she says.  “Like Jack and Jill!”

“Lady and the Tramp!” Veronica offers, and the laughter grows louder.  “Romeo and Juliet!”

“Omigod!” Jasmine gasps, their laughter rolling freely now.  “Tweedledum and Tweedledee!  Lancelot and Guinevere!  Sweet and sour!”

“Yin and yang,” Veronica says, and they stop on that one, as if it’s the perfect one to describe me and Clemmie.

“Shall we go?” the voice asks again…but it’s a different voice this time.  Frozen inside my immobile body, I cannot move, but I feel as if I’m turning around and there is Clemmie…as young and as fair as the first rose of summer.  She’s standing in the midway at the State Fair, pointing at the Tunnel of Love attraction, the one where we had our first, tentative kiss, where the sense we’d found something special first dawned on us.

“Shall we go?” she asks again, and her eyes are sparkling, her smile warm and welcoming.

“It’s okay, Dad,” Veronica whispers, “it’s okay to go.”

“Goodbye, Daddy,” Jasmine breathes.  “We love you.”

Goodbye, goodbye…I love you both…

And I reach for Clemmie’s hand, and off we go.